Why Jonathan Ive won’t be removing skeuomorphism from iOS 7

In the echo chamber of the blogosphere, it has become accepted wisdom that Jonathan Ive will be stripping all the skeuomorphisms from iOS 7, in favor of a flat new design aesthetic reminiscent of Windows 8.

I don’t believe a word of it, and I’ll explain why. But first, let’s take a look at how these rumors have arisen.

It all stared with a wince and the response “I’m not really connected with that” when Ive was asked about faux leather and stitching in an interview with The Telegraph. Subsequently, as the result of a management re-shuffled, Ive became responsible for user interface design as well as hardware design. That same reshuffle saw the departure of Scott Forstall - the brilliant but mercurial head of iOS development. Further rumors suggested that he was the driving force behind skeuomorphism, and didn’t get on well with Ive.

And that’s where this whole “Ive hates skeuomorphism” meme has arisen from. Forstall in the skeuo corner versus arch-rival Ive in the non-skeuo corner. And now Ive has delivered his knock-out blow, Forstall’s cherished iOS will be stripped of all its skeuo goodness. It’s a great story - ideal for a comic book, perhaps. But in reality, it’s overly simplistic.

Upon closer inspection, this “evidence” looks shaky. The Telegraph interviewer’s question was specifically about stitched leather, presumably a reference to Apple’s Find my Friends app, which is in my opinion, one of the ugliest apps Apple has ever designed. It’s enough to make anyone wince, and it’s a leap to assume that someone who considers Find my Friends wince-worthy is likely to loath everything about the current iOS user interface.

The problem with Find my Friends is not that it employs skeuomorphism. As I’ll go on to argue, skeuomorphism is not only an indispensable element of iOS - it’s also a technique that can be found in plenty of Ive’s own hardware designs. Rather, the problem with Find my Friends is that the skeuomorphism is not employed in a relevant way and as a result it distracts rather than aids the user. We don’t use use cowboy-style leather saddles to locate our friends, and so the yee-haw western style stitched leather adds nothing to our understanding of this app.

There are, however, plenty of examples where iOS employs skeuomorphism very effectively. Like the buttons that look like real clickable buttons. The keyboard that looks like a physical keyboard. The shadows around a viewport that imply more scrollable area beneath. The clocks that look like the Swiss Railway Clock. Or the calculator that, well, looks like a calculator… The list is endless. Does anyone seriously imagine that Ive hates all these things and wants to get rid of them all?

One need only look at Ive’s own work to see that he’s not averse to using skeuomorphism himself from time to time. Take the iPod for example, where the click wheel was designed to evoke the cone of a speaker. Or the silver plastic keyboard of the old Macbook Pro, which was make it look like it was made out of the same material as the aluminium body.

Ultimately, all user interface design is based upon metaphor - that’s how it works and there’s no escaping it. We build metaphors that are easier for the user to grasp that what’s actually happening at a hardware level. Computers do not contain files in folders. But rather, fragments of data often located in many non-contiguous physical locations on a drive. Metaphors like files and folders provide a far better user interface than an attempt to illustrate what’s really going on under the hood.

And there lies the rub. Ive’s entire career is based upon designing complex objects to make them look simple. The minimalist hardware designs of Apple gadgets belies the complexity of what lies beneath the enclosure, and in an sense, that is a kind of skeuomorphism.

iOS is certainly due for a user interface refresh, and Ive will doubtless want to give it one. But he’s never been one to make changes for the sake of it. There is always a reason. And his thoughtful approach to design always starts with getting an understanding of how something works. As a result, I think we’re far more likely to see evolutionary rather than revolutionary design ideas. And as with every Apple product announcement, this will initially result in the inevitable griping, and ill-informed journalists claim that iOS 7 doesn’t look as different to iOS or as similar to Windows 8 as it supposedly needs to. And yet a few months down the line, as usual, everyone will have discovered the wisdom of Apple’s design choices.



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japanese vegetable pancakes

japanese vegetable pancakes, obsessed

Last week was not my week in the kitchen, friends. I had great, ambitious designs on a rhubarb meringue tart that would be pink and pretty with a scalloped tart-shell edge and a meringue that looked like piped roses that had toasted petal tips. But as the week went on and as various really non-torments in the greater definition of the word but nonetheless tormenting to me mounted — thin curds, too thick curds, beige (you know, the color of pink rhubarb + multiple yolks) curd, slumped tart shells, wet meringues, useless broilers, blowtorches so close to empty, they emit the useless wisps of sleepy dragons, refill canister AWOL — my enjoyment of the project plummeted. But, because I’d like to teach my kid one day that he should follow through and finish what he started, I did, and lo, it was good, you know? Maybe I’m just not a meringue pie person and I forgot? None of this matters because the finished pie slid off the plate flopping face-down into the open fridge as I tried to put it away and then, as I crouched on the floor in front of the open fridge scooping fistfuls of meringue and curd into a garbage bag and questioning my life choices, my son walked in and asked what I was making for dinner.

maybe not the prettiest vegetables to start
carrot peels and ribbons

… Read the rest of japanese vegetable pancakes on smittenkitchen.com


© smitten kitchen 2006-2012. | permalink to japanese vegetable pancakes | 104 comments to date | see more: Appetizer, Cabbage, Carrots, Japanese, Kale, Pancakes, Vegetarian



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Trafikmutyi Hajdú Péter nélkül

Az a tény, hogy Hajdú Péter maga is pályázott trafik üzemeltetésére, cseppet sem meglepő. Gondolom, átfutott az agyán, hogy ha már gyásszal, rákkal meg emberi nyomorral szórakoztat a showműsorának keretei közt, miért ne kereskedjen halállal a cuki & trendy delikátboltjában. A pénznek nincs szaga, az ő karmáját meg úgyis lehetetlen akár a leggyilkosabb drog - más szóval a nikotin - kereskedelmével tovább rombolni.

Hajdú azonban nem nyert. Ez a szocialisták alatt nemigen fordulhatott volna elő, vélhetően ezúttal az emlékezetes Orbán-interjújára kívánt hagyatkozni, melynek nemzetközi vonatkozása az a sebészcsapat volt, akik kioperálták a miniszterelnök ánuszából, nemzeti vonatkozása pedig az az együttműködés, melynek rendszerébe úgy remélte, azzal az öklendetes PR-beszélgetéssel végre kellően benyalta magát. Csakhogy tévedett.

Mindezt úgy kommentálta, hogy a zavartan hallgató - vagy épp teljes joggal tiltakozó - jobboldali értelmiség pofájába vágta: „Nyilván voltak a miénknél jobb pályázatok. Ennyi történt!” Hajdú Péter annyira görcsösen akar szimpatikus vesztesnek látszani, a neki koncot nem vető kormányoldal lábához farokcsóválva tovább dörgölőzni, hogy az évtized legkínosabb korrupciós ügyét korrekt pályáztatási menetnek képes nevezni. Nincs nagyobb kritikája egy politikai döntésnek, mint hogy egyedül Hajdú Péter áll ki mellette. Itt tartunk: a Fidesz-kormányzat legsötétebb mutyijának önkéntes védelmezőjévé szegődik ez az országos senki. Miközben a fél jobboldal kellemetlenül érzi magát, a másik fele meg sunyít az ebül szerzett koncesszióval a zsebében, Hajdú Péter szalad segget nyalni, jó pontokat szerezni, elfeledtetni,hogy kiknek a hátán kapaszkodott a tévéképernyőre.

Döbbenetes, ahogy ez az ízig-vérig szocialista figura, akinek a műsorai máig képtelenek meghaladni a nyolcvanas évek szocgagyi televíziózásának színvonalát, aki Medgyessy nevelt lányával bizniszelte be magát a köztévébe, aki kizárólag nyugdíjasokat képes a képernyő elé ültetni és akinek nem csak rossz az ízlése, de olyan korszerűtlen, mint a lenin-sapka, most úgy furakszik a kétharmad soraiba, mint éhes sakál a portyára induló falkába. Gátlástalanul dezertált az őt valaha vállára emelő MSZP holdudvarának ritkuló mezőnyéből annak történelmi mélypontján, a Fidesznek azonban egyetlen trafikot se ér, személye annyira vállalhatatlan, hogy természetszerű viszolygással fordul el tőle a magát polgárinak, kereszténynek és nemzetinek feltüntető rezsim. Groteszk és nyomorúságos, akár egy Kafka-novella, ahol a főhős egy reggel arra ébred, hogy Hajdú Péterré változott. Aztán beszippantja a kapzsiság, a szervilizmus és önmaga üressége.

Talán most látta be Orbán, hogy ha nem hagyja Hajdút maga mellé a barikádra felkapaszkodni, egy trafiknál sokkal többet spórolhat meg. Mr. Frizbi személye három dologra ugyanis feltétlenül garancia: az erkölcstelenségre, a színvonaltalanságra és a biztos bukásra.

http://bit.ly/13m6sjv



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→ Facebook Home design

Ben Thompson:

Design is about identifying, understanding, and ultimately feeling your end users’ needs, and then meeting those needs. Facebook Home, like countless SV startups, looked beautiful, worked elegantly, and didn’t meet any needs.

I’d go a bit further and say it’s actually designed badly. Facebook Home rested on two major assumptions:

  1. Your friends put good, recognizable pictures of themselves as their profile photo.
  2. Your friends post photos so good that you’d like to see a selection of them, chosen automatically, on your lock screen.

OK, show of hands:

  1. How many of your friends’ profile photos are either barely recognizable from poor lighting or angle choices (if you’re under age 25), or have become pictures of babies instead (if you’re 25 or older)?
  2. How many of your friends’ photos are so good that you’d rather see them randomly on your lock screen instead of a great photo of your choice that you took?

Facebook Home was flat-out badly designed: it’s designed for optimal input and failed to consider real-world usage.

And it looks like demand for Home was from the same imaginary world as their perfect input.

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Posterous

Persze, hogy bezárt, persze, hogy nem is foglalkoztam vele. Perszehogy

Átállok posterousra. Frissítsétek az RSS- linket.

A Posterous jobb? Ez a tumblr megosztás szar :(